Abstract
In the article the category of «harmony» is determined as a phenomenon of cultural construction. Information of the understanding of harmony in ancient, medieval, modern and contemporary time are provided. The culture measurable signs of harmony are presented as a design algorithm. The design space of culture harmonization is interpreted in the context of current realities of nonlinear text. Also, in this article is considered the development of the harmony idea in the sphere of culture making intentions that are structured by analogy with the music of spheres, space of Pythagoreans and cosmoholism of Plato, and the space is defined in post-industrial and post-modern paradigms. In the article is analyzed the main category of European culture – a «place», and the exchange of places as the main paradigm of Greek culture, that allows to entry into the category of harmony that is presented in the context of explicit and implicit theory.
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