Ukrainian decorative applied art is a heritage of the spiritual heritage of the ethnos
ISSUE PDF (Українська)

Keywords

decorative applied art, identity of the nation, style, innovative progress, ethnocultural evolution, neo-traditionalism

How to Cite

HotsalyukА. (2021). Ukrainian decorative applied art is a heritage of the spiritual heritage of the ethnos. Multiversum. Philosophical Almanac, 2(2), 89-100. https://doi.org/10.35423/2078-8142.2021.2.2.6

Abstract

The issue of the impact of innovation on the development of decorative applied arts is debatable and requires in-depth professional research, as it is related to the technological progress of mankind. Ukrainian decorative applied art is the expression that shapes the identity of our nation. Innovative progress qualifies as a dangerous phenomenon. Its special danger is manifested in the transformation of the applied decorative space of Ukrainians. The convenience of modern innovative technological solutions moves away from the traditional hereditary way of life and quickly influences a person, forming new values ​​and building a person as a person detached from traditions. Such a person perceives the main values ​​for themselves convenience, manufacturability, mobility of space. It has been studied that globalization gives rise to ambiguous processes: pushing Ukrainian art and the art of other European countries to national identification, directing the search for archetypes of their culture, returning to the national cultural heritage. Important features of modern decorative applied art are simplicity and mobility, optimal use of space and at the same time creating comfort. It is concluded that the visions of neo-traditionalism have affected the creation of things of decorative applied art, which are embodied in a variety of artistic styles and trends, when modern technologies and materials are used. Ethnocultural evolution in interior design and household items has influenced the formation of artistic styles, movements and is consistent with the processes of innovation in technology. Modern decorative applied art is characterized by a combination of modern innovative trends with traditional approaches.

https://doi.org/10.35423/2078-8142.2021.2.2.6
ISSUE PDF (Українська)

References

Hotsalyuk, А. А. (2018). Preservation of traditions in modern Ukrainian decorative and applied art. International Bulletin: Culturology. Philology. Musicology, 2, 9-14. [In Ukrainian].

Levchenko, N. O. (1999). Image transformations in the artistic culture of the twentieth century (Doctoral dissertation). Retrieved from G. S. Skovoroda Institute of Philosophy of the National Academy of Sciences of Ukraine. Kyiv. [In Ukrainian].

Chornoshchokov, A. E., Babenko, O. O., Batievskaya, T. V. and others (2019). Ukrainian decorative and applied art. Poltava. [In Ukrainian].

Hotsalyuk, А. А. Ethnodesign in decorative and applied arts of the late XX - early XXI century (2020). Ukrainian Studies, 1(74), 169-179. [In Ukrainian].

Zlatanov, Z. (2019). History of decorative and applied arts in Ukraine. Scientific attribution of works of art, examination and evaluation of cultural values: materials of scientific practice. Conf., Kyiv, October 24-25, Kyiv: NACCKiM; Association of Art Critics, Experts, Appraisers and Restorers, 43-47. [In Ukrainian].

Savchuk, I. V. & Kashuba, A. V. (2007). Decorative and applied arts as a factor in the formation of aesthetic tastes of modern youth. Scientific notes of Ternopil National Pedagogical University. Series: Рedagogy, 8, 19-25. [In Ukrainian].

Orshansky, L. V. (2008). Traditional Ukrainian ornament. Teaching methods: teaching-megod. way. Drogobich: RVV DDPU. [In Ukrainian].

Hotsalyuk, А. А. (2016). Socio-philosophical aspects of neo-traditionalism in Ukraine: Dissertation Abstracts International, Kyiv, 36. [In Ukrainian].

Honcharenko, O. M. (2016). Constitutional principles of self-regulation of economic activity. Foreign trade: economics, finance, law, 1(84), 28-36.

Tsina, A. Yu. (2020). Decorative and applied art as a symbolic world of folk art. Folk art of Boykivshchyna: history and modernity (to the 164th anniversary of the birth of Ivan Franko, to the 87th anniversary of the birth of the Honored Master of Folk Art of Ukraine Myroslava Kot): Proceedings of the II All-Ukrainian scientific-practical conference (L. V. Orshansky, N. I. Kuzan etc, Eds.). Drogobich: RVV DDPU, 152-158. [In Ukrainian].

Kalashnik, N. G. (2001). Aesthetic tastes: their origins and formation. Zaporozhye: Enlightenment. [In Ukrainian].

Mikhailova, R. D. (2019). Ukrainian ethnic elements in the design of modern hotel interiors: origins and features. Art and Design, 4(08), 58-67. [In Ukrainian].

Timokhin, V. O., Shebek, N. M. & Malik, T. V. (2010). Fundamentals of architectural environment design. Textbook. Kyiv: KNUBA. [In Ukrainian].

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Downloads

Download data is not yet available.